

Working in New York in the 1960s, Judd became known as one of the key exponents of ‘Minimalism’, but it was a label that he strongly rejected. Although he shared many of the principles identified with Minimalist art — the use of industrial materials to create abstract works that emphasise the purity of colour, form, space and materials — he preferred to describe his own work as ‘the simple expression of complex thought’.Mas información: http://www.tate.org.uk/modern/exhibitions/judd/
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